Search #ObjectLabWCMA on Instagram to see how Williams classes are using Object Lab.

Object Lab is a hybrid gallery-classroom and a responsive pedagogical platform. Faculty across academic divisions collaborate with museum staff to select works of art that employ, convey, or investigate key course concepts. These works of art are installed in the gallery for the semester, offering students and faculty extended access to the art.

Geosciences 214, Mastering GIS

“I’m sure this is the first time that a GIS class is thinking about art in this way.” – José Constantine,  Professor of Geosciences

When Professor José Constantine began diving into WCMA’s collection in preparation for Object Lab, he began thinking about the connections between artistic choice and the work his students would be doing with the Geographic Information Systems (GIS) software. GIS displays data related to positions on Earth’s surface to help solve environmental problems; use of scale, color, and shape in these data-driven visual models impact the efficacy of the stories they tell. Professor Constantine was particularly drawn to the work of artist Lordy Rodriguez and chose to include his conceptual map Territory State in Object Lab. Constantine reached out to the artist and the two found surprising connections between their work. Rodriguez, who had actually taken a GIS course, draws heavily on cartography; his work is inspired by the maps his parents used to navigate the country during road trips. Constantine and Rodriguez will lead a special class session in the gallery and collaborate on a public talk about the intersections of science and art.

Object Lab, spring 2016, Biology 220.

Object Lab, spring 2016, Biology 220.

Biology 220, Field Botany and Plant Natural History

Professor Joan Edwards encouraged her Field Botany students to closely study a work of art and describe what they see, paying particular attention to the botanical details. Students then revisited their work after they have examined the plant in the lab and perhaps its natural environment as well. The short papers they wrote reveal how their ways of viewing the plant and the art have changed.

Rashida Braggs, AFR 323 Comic Lives: Graphic Novels & Dangerous Histories of the African Diaspora in Object Lab.

Professor Rashida Braggs with her Africana Studies 323 class in Object Lab.

Africana Studies 323, Comic Lives: Graphic Novels & Dangerous Histories of the African Diaspora

Professor Rashida Braggs of Africana Studies used Thomas Nast’s preliminary sketches in tandem with Uncle Tom’s Cabin. Students created designs incorporating text from the book. They also wrote short response papers looking at works of art through the lens of representing ethnic trauma.

Contact Elizabeth Gallerani to learn more.

Fall 2020 Courses 

5 courses

Art History 246

Do You See What I See?! Museum Culture

Holly Edwards

Art History 272

Art of the Noble Path: Buddhist Material Culture Across Asia

Murad Mumtaz

Art Studio 115

Sculpture: Poetry with Objects

Amy Podmore

Chemistry 364

Instrumental Methods of Analysis

Christopher Goh & Amnon Ortoll-Bloch

Mathematics 151

Multivariable Calculus

Ralph Morrison

Spring 2021 Proposal Form

Submit by Friday, October 16, 2020
  • How do you envision using objects to help enrich your teaching? Liz Gallerani will work with you to identify works from the WCMA collection that support your goals. If you have specific ideas, feel free to list them here. You can search our collection online.
  • What are some ways you imagine linking these objects to your course concepts, assignments, and projects?